Glen Schofield gleefully watching on as one million Isaac Clarkes shot off countless alien limbs, Ken Levine purred as one million Booker DeWitts found one million lighthouses and predicted one million plot twists. Both helped usher the genre away from survival horror, and more towards action horror. Visceral and Dead Space shunted the genre into the hands of Call of Duty players. Ken Levine and his action/horror splice of genres in BioShock stole System Shock’s thunder, and morphed the entire genre into its own image. Games that came along later, were available on more platforms, and appealed more to a generation of game-players on Twitter and social media platforms, redefined survival horror.
Hello, inventory Tetris!īut it’s likely a part of games history that’s lost on a lot of people. System Shock, and its direct sequel, defined the horror genre and – to a degree – how we tell stories in games. We wouldn’t have Dead Space – and, in fact, it’s Dead Space that’s the most notable in this list, because Visceral’s body-horror masterpiece was initially conceived as a System Shock sequel.
Without System Shock, we wouldn’t have Prey.
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